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Mangroves

  ~ a collaboratory for surging life ~

Pilot Fellowship: The Setup

A dozen people, half sipping coffee and savoring pastries in Foster Street Coffee in Durham, NC of the American South (part of Turtle Island), half strewn over the continents, gathered around a common hearth of sentipensar, or thinking-feeling (A Escobar). Each year has a theme, but it's not a discrete topic. We poke around and through it, aware that, like most things, it is full of negative or empty space, and can take protean forms. The group is colorful; everyone bears a different discipline, line of activity, complexion, itinerary - aged 20 to 60+. We transgress the academic-lay divide, and are stronger for it. Each week we read, hear, see something, and then come together for 2 hrs.+ to toil and play with it. At first, David leads the workshops to set the tone, but soon folx start taking turns moderating or engaging guest discussants. We start with a little personal writing or meditation, then discuss, draw, pause, dissent, and laugh. We record each meeting so anyone can review it. English is lingua franca, but all are invited to think in any language, and broaden, bend our thinking and act with it. The materials are not preset from a syllabus; they emerge as we work, and take their own path and contour. We hold out no deliverable, but move from guiding concepts to attempts at counterdesign. What we discover is that we become what we explore: the common, growth, and so on. We don't jump out of the year ready-made bodhisattvas - just nudged into the long process…

2021-22: The Common and the Commonable

Guest Discussants:

Roxana Bendezú (migrant experience/media) - Chiara Klein (community fisheries) - Bruce Lawrence (Islamicate cosmopolitanism) - Lissa McCullough (Soleri's arcology) - Stuart Pimm (bioconservation)

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Mangroves launched its Pilot Fellowship with the theme "the Common and the Commonable." The notion of the common might at first recall something mundane, resourceable, exploitable - public. The commonable: rocky grass fields or animals grazing with bent necks on sharable land. Both are oft reduced to some objectified commons. Our path was to egress from this legacy and ask: What might the common and commonable signify when freed from such contexts?

Our fearless cohort unwound these terms by imagining the common as a webbing of encounters: dealings of any kind between forms or processes, worldviews and ideologies, and stories and methodologies. Here the common is as manifest in the gut biome of a cow as it is in the heat of political negotiation, in caves, around creek and the rock, as it is in spirit - none of which need be a common for us. So, we faced our first quandary: where the common ends and the uncommon begins.

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David Liu

It then became necessary to sniff out where the common has faced erasure due to hierarchical assignations, particularly those pitting knowledges and worldings against each other in such a way that the uncommon emerges a violent force. There, the common can also emerge a force of erasure, mushing difference into a purée of the "universal."

We looked to Arturo Escobar's weaving of the "pluriverse" as an alternative framing of knowledge to the tyrannical centrifuge of global development. Going on from Escobar's own flight from the universal, we began to seek not only the cohabitation of multiform truths and lifeways, but also how they can dance with each other - and allow traversal between them. We read origin stories from around the world, asking what is common and uncommon in and between them, and how those dis/junctions are born of the biomic commons such stories poke out of.

Keeping taut the tension between the common and commonable, the cohort swung through disciplines and scales, feeling shared ideas morph and lose their (re)cognizability. We looked to American cities and the work of Jane Jacobs, to the uncommon in our own spirits through Gloria Anzaldua's writing, to biodiversity and human positions in it, and to life- and spiritways, art, and ideas of the good life. Without reaching explicit ends or points of production, the Fellowship steadily became a practice of making a common of itself. Fellows, each with peculiar perspectives shaped by history, legacy, place, and self, met the others in uncommon commonness, practicing the art of mutual creation, agreement, disagreement, and listening. This became a touchstone to imagining other uncommon commons - even beyond human worldings.

In the second half of our meetings, we were lucky to welcome guest discussants on community fisheries (C Klein), migration (R Bendezú), bioconservation (S Pimm), Islamicate Cosmopolitanism (B Lawrence), arcology (L McCullough), and to honor the specific skills brought by Fellows through the co-creation of our curriculum and the release of central leadership. This led us to points inconceivable at the start of the year, including collective musical improv held over Zoom, musings over broken rules and physics, multilinguistic exercises, and ever emergent and unexpected writing. Gradually, focus shifted to the question of how Fellows might seed the co-generation and cultivation of commoning practices tailored to local contexts, where the players also extend beyond humans. In the end, we both hoped to keep exploring such a process beyond our year together, and to see the year's work continue in future cohorts and projects with the inklings that keep blinking.

2022-23: Growth

Guest Discussants:

Dilip da Cunha (ubiquitous wetness) - Arturo Escobar and Michal Osterweil (relationality) - Bruce Lawrence (Ibn Khaldun's historic cycles) - Daniel Richter (critical zone science) - Antonio Tamburrino (Carless Rome)

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Mise-en-scène

Having plumbed "the common" against the anthropocentric grain in our inaugural Fellowship, we stepped into the maze-forest of "growth" with these curvatures: the pluriverse, the "transverse," and the "perverse" [PURR-verse]. What, you say? While preglobal worldings have projected universes of their own, a scientized neo-empire has imposed its universe on all others under the guise of objective, not just conventional, reality. The pluriverse ensures the continuance of distinct, even resistant, worldings. The partial connections between them permit give-and-take, yet the power dynamics also forbid fair play or real delinkage (Mignolo). The transverse is our way to slide between them and take up, not an othering of worldings, but an othering of one's own enough to negotiate "otherly" realities. Still, even this transversal can reify, detemporalize, indeed underpower each common lifing - or "co-lifing" over transoms. Enter the perverse. Rather than reducing to a Deist minimum (Cherbury) for a new universal, we proposed a perversal platform where the evolving interactions of the pluriverse and its transversal can also spawn multilaterally translated, sharable commons allowing at once evolving diverging and convergence. We mean this beyond a human focus. With this macromicro differentiality and "posthumanist" imaginary, we could now begin to think "growth" in its myriad embodiments - even inversions, eversions, reversions...

Undulations

Stage set, we slid into V Smil's survey of "growth." As a universalist account under scientific scope, it deployed a metron for all material reality: from the cell to megacities under one lens, with patterned vertical climbs: linear, logarithmic, exponential. Rimming scientific consensus, Smil warns of peaks and limits of growth. But what of incommensurate ways of describing, living the world? Can a non-lizard do the sentipensar for a lizard? In his monoscoping, Smil owes much to the breathtaking correlations of A von Humboldt across the continents he traversed, but also assumes the All that Humboldt globalized of Hegel's (imperializing) Hellenic universal. We asked: Can difference in kind be corralled numerically without requalification or translation? Leaving such a platform of "growth," we plied our own translinguistic query. With over two dozen tongues among us, we uncovered abundant construals of "growth": lengthening, enlarging, stretching, opening, greening, unfurling, blowing up... Of the last, we also correlated the Greek physis to R Williams' relook at "nature," derived as it was from that Greek term but denatured by modern science.

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David Liu

Retaking an ampler sense of growth, we turned to the striking insights of Laozi, Nagarjuna, and Qohelet, who articulated processes in terms of radical contingency, emergence, and metabolic recursion. We saw the latter (with B Lawrence's help) in Ibn Khaldun's dynastic phases where, within each phase of growth, there was also degrowth or attrition, atrophy. The Chinese painting "Up the River at Qingming" pictorialized this complex irony: At the peak of prosperity was already decline, decadence - peril. But growth is not only socioeconomic, as we gleaned from the Rhenish Hildegard, Kimmerer's Potawatomi plains, and sex pots of the pre-Columbian Moche elite. It is also spiritual, ecological, social - in sum, relational. A Escobar and M Osterweil reminded us (in person) of the abyssal import of that awareness, as did mycopunkerie, Kropotkin's (and Wu-Tang Clan's) mutual aid, along with Illich's conviviality - a sort of mutual growth like ubuntu. Others pointed at useless or noxious growth (Marx, Graeber, Bregman). The relationality of growth became sobering as we considered "operational land" (cum air and sea), where cities subsist on their far-reaching command-control, and D Richter's plurimodal critical zone science. Such vantages gave us caveats to thinking through current plights of housing and dwelling, as well as a wide lens from which to approach D da Cunha's protean concept of ubiquitous wetness and A Tamburrino's Carless Rome project, an attempt to transmobilize - thus recondition - Rome.

Dance on Horizon

Having tinkered with "growth" in both theoretic and pragmatic terms, we now find ourselves in a new clearing, a "nir-vana" of no forest. We searched in all directions for "growth," and, in pushing through the thicket of its vertiginous vectors, reached its point of useless fruition. This mirrors the useful blurring that characterized our earlier toil on "the common," and points a way out of the chokehold of relentless (economic) growth and "progress." Maybe with this release, growth could now be renatured if not rewilded, allowed to go its thousand woven ways.

Mangroves Pilot Fellows 2022/2023

Ameen Ahmed

Ameen Ahmed is a curator, artist, writer, and researcher from Bangalore, India, and Toronto, Canada. His current research interests revolve around "magic", which he describes as the use of the rhetoric and methods of religion and myth by political and corporate agents of "progress" and "development". This is part of a larger interest in stories and storytelling, whether those stories are disseminated through media, or through visual, political, or architectural means.

Duff Allen

Duff Allen is a writer living in upstate New York. His work is driven by an underlying and indomitable happy despair that regards storytelling as the light seen through the keyhole, even if the door is quite heavy and bolted shut. He teaches writing at Bard College.

Massimo Angrilli

Architect and Phd, he studied at the Architecture Faculties of Pescara and Paris-Tolbiac, he received a PhD in Urbanism at the Inter-university Doctorate of Rome-Pescara in 2000, with a thesis entitled "Green Urban Network", with landscape architect Michael Hough (University of Toronto) as external tutor. He is Professor in Urban Design at the Architecture Department of Pescara. He taught as visiting professor in the International Masters Degree "Landscape Intervention and Heritage Management", Universitat Autonoma de Barcelona. Author, among others, of the books "Piano Progetto Paesaggio. Urbanistica e recupero del bene comune" (with a postfazione by Francesc Munoz); "Reti verdi urbane", (with a preface by Michael Hough), author of papers published in national and international scientific magazines.

Cris Culton

Cris takes an artistic-historical approach in thinking about how we create knowledge. Originally from Los Angeles, they attended UC Santa Cruz, earning a degree in history. Now a PhD Student at Duke, Cris enjoys working with students and researchers in thinking about the impact that mental and physical travel has in the shaping of culture. Cris is fascinated with the power that poetry, art, music, and the beach have in moving our world.

Vanessa Hein

I am a born and raised east coast HipHop head and educational anthropologist. My son is undoubtedly my greatest love. Music is my vitality and culture is my universe. I have a deep passion for both philosophy and quantum physics, and the two together constitute my personal sense of spirituality. Currently, I am an adjunct professor of education at DePaul University and of sociology and anthropology at St. Xavier University in Chicago, Illinois. Always on the lookout for the most information I can get my hands on and the widest variety of experiences one could engage in, I am constantly seeking growth of mind, body, and soul.

Nasr Ibrahim

Mr. Nasr Ibrahim has ten years of experience in financial evaluation, commercial banking, loan guarantee schemes, access to finance, women's economic empowerment, entrepreneurship training, and monitoring and evaluation. He has worked with national and international development organizations, European and United States government entities, Development Financial Institutions, and non-governmental organizations. He is a financial consultant for a KfW development bank-funded program for Investment for Employment in nine African countries. He is a graduate student at Duke University's Sanford School of Public Policy pursuing a master's degree in International Development Policy with a concentration on economic growth and social innovation. He is currently a graduate assistant for the MIDP admissions team and a MIDP student ambassador at Duke University.

Meli Blake Kimathi

Meli Kimathi labors at the intersections of race, gender, and culture to activate wisdom, words, and ways for community solidarity. Broadly interested in mental health maintenance via personal musical practices and praxes of palliative care for our dying master narratives, she holds degrees in International Studies, Education, Social Work. Her doctorate is forthcoming from UNC-Chapel Hill, where her engaged scholarship explores the healing work of DJs through African diaspora music in live party spaces.

Karna Morey

Karna Morey is a physicist, with expertise in both astrophysics and condensed matter physics. He is broadly interested in interdisciplinary research methods in theoretical and experimental physics, especially projects that use statistics and data analysis to work at the intersection of the two. He is also passionate about anti-racism and feminism within academia and the broader world and has been involved in a number of diversity, equity, and inclusion initiatives (DEI). He is currently working at the University of Barcelona as a visiting researcher. Outside of physics, Karna enjoys running, classical guitar, cooking, and hiking!

Adenike Oladosu

Oladosu Adenike Titilope is the founder of I Lead Climate Action Initiative that advocate for the restoration of Lake Chad and a green democracy. She specializes in peace, security and equality in Africa especially the Lake Chad region. Adenike is passionate about youth involvement in climate action through climate education. She's the recipient of the Ambassador of Conscience award by Amnesty International Nigeria. Adenike has showcased her climate action in both international, national and local fora. She has empowered thousands of women through her initiative of giving women and girls access to the use and control of resources.

Michal Osterweil

Michal teaches in the Curriculum in Global Studies at UNC Chapel Hill. She believes that learning how to live into a resilient future requires a pedagogy that considers theory, history, and philosophy as well as more practical, spiritual and embodied knowledges and practices. Michal is a mother and radical homemaker who loves making (collective) life through gardening, cooking & feeding others, making tea blends and medicinal concoctions, and generally de-commodifying life! She's recently been training in various healing modalities and embodiment practices, seeking to integrate them into her teaching.

Zolani Prince Shapiro Tyalimpi

A Mangrovian 22-23 Cultural Activist, working at Page Seed as an assembler of seed orders for American growers, the State, and her neighbors. His progression in life is and has always been about the becoming. He believes in platforms serving mankind with inspiration for human development. Grateful to learn…

Mangroves Pilot Fellows 2021/2022

Solomon Burnette, Durham, North Carolina, USA

Andalusianist, Amer-African Visionary and Educator

Daphne Noni Davis, Durham, North Carolina, USA

Afrocentric Educator

John Esposito, Greensboro, North Carolina, USA

Classicist and Technical Architect

Julia Kane, Oak Bluffs, Massachusetts, USA

Student in Environmental Humanities, '23

Kelariz Keshavarz, Salt Lake City, Utah, USA and Tehran, Iran

Flutist

Ken Maffitt, Durham, North Carolina, USA

Latin American Historian

Nalwadda Phiona Masiko, Wakiso State, Uganda

Youth Climate Leader and Statistician

Adriana Menghi, Montreal, Canada and Savona, Italy

Architect

Deborah Patterson, Baltimore, Maryland, USA

Visual Artist and Creative Placemaker

Amin Sharifi, Salt Lake City, Utah, USA and Tehran, Iran

Composer and Multimedia Artist

Roberto Zecca, Verona, Italy

Engineer, Musician, and Teacher

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Painting by Deborah Patterson, used by permission

Responses to the Fellowship:

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Mohamed Ibrahim

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reflection

Compared with my pre-Mangroves self, I conceive human society more as a lovely artifact, correctly material and consequently malleable.... I think I better appreciate the continuity of natural and artificial growth and making. Thanks to our fellowship, I keep wanting to apply extended ecological imaginings.

   -   John, '21

I have learned to interrogate the root of words as a means to show their non universal meaning… Above perhaps any other single "concept", "relationality" is the one that has most impacted my understanding and approach to everything else. I have throughout the year found myself thinking about topics in my learning and teaching through the lens of their meaning as acquired from their relational subject/object. The philosophical readings from the beginning of the year were excellent starting points for me to see things this way because they highlighted how across different cultures, time-periods, geographies, etc, one fundamental (if we might) aspect of life-processes is the movement between thoughts, beings, designs, realities, etc. Because of this philosophical foundation it both became more 'legitimate' to then move onto contemporary issues, but also served as a most important frame of reference.

   -   Cris, '22

The Mangroves environment, so rich in diverse experiences and interests, has also, I think, offered me emotional and psychological growth. I have verified in these months on myself a development of emotional intelligence, self-awareness, empathy and interpersonal skills. Another thing Mangroves taught me is that adopting an inter- and transdisciplinary approach allows for the recognition of the interconnectedness and complexity of growth, highlighting the need to collaborate and integrate knowledge in various fields to promote comprehensive and sustainable development, overcoming with a periblematic approach the problem-solution habitus that characterizes our age.

   -   Massimo, '22

The more one embraces commonality in an individualistic context, the more uncommon one becomes by virtue of gaining insights into matters unengaged by the milieu.

   -   Solomon, '21

During the months of this fellowship, I've thought many times about what constitutes a "common". My instinct initially was to see the commons in a purely materialist sense; the land, the resources, the ecosystems, etc. Working in parallel on my master's thesis and this fellowship made me realize the importance of our "imaginary commons", such as our founding myths and stories… In every interaction, every presentation, every project that tries to make an impact on the world, I will now ask: what story is this trying to tell me? What meaning does it try to convey and which underlying assumptions does it make use of? I will also consider whether or not such a piece of storytelling is creating a new common where actors (human and non-human) can connect and interact as equals, and whether this will serve our future common good.

   -   Adriana, '21

This experience has encouraged me to lend my voice and experience to future groups/ assemblages intent on posing complex questions and working out collaborative responses in innovative ways… not necessarily toward a specific end point.

   -   Meli, '22

We must understand that we all have points of entry into conversations based on our personal experiences and knowledge. Therefore, the Mangroves Fellowship encourages everyone to participate and share their thoughts.

   -   Noni, '21

Notable moment: early on when I realized we had jettisoned many familiar frameworks and had begun to feel our way like modern dancers or avant-garde composers through new kinds of thinking.

   -   Ken, '21